The Igbe Religion – Whiter than Black

Brazilian Candomble Ceremonies Honor Goddesses Lemanja and Oxum ...
Igbe is neither my personal nor family religion, but I lived in Urhoboland, where it originated and is still practised, long enough to observe the faith with considerable detachment. I have also seen its practice in the United Kingdom. It is an Urhobo religion but may not be exclusively so. In this brief article, I intend to look at the more gnostic and historical perspective of Igbe than its practices.
Igbe in the Urhobo language means “Dance” or “Joy.” Igbe worship is also an act of gratitude to God for life itself and consists of celebratory devotion. The “Gnosis of the Igbe” is a vocation in which the revelation of the knowledge of the divine occurs to male and female practitioners of the religion provided they have a pure heart and mind. The white attire and headwear of the Igbe followers in worship symbolise stainless purity which is reflected inwardly. The spark of the divine often awakens in the fervent celebration of God; this is why dance and song accompanied by drumming are indispensable. Music has the facility to stir the innermost emotions in people.

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A Song for Reassurance: Okpan Arhibo Verses

Oruru ro w’egbedere ko taghra

Oruru ro w’egbedere ko taghra

Obor ri guono ughwume sonobrughwe rovwo na’a

Obor ri guono ughwume sonobrughwe rovwo na’a 

Oruru ro w’egbedere ko taghra

Oruru ro w’egbedere ko taghra

Abortu ri guono ughwu r’Okpan Oghene rovwo na’a

Itu ri guono ughwume Oghene rovwo na’a 

Translation:

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Okpan Arhibo: A Traditional Kind of Disco Music

 

When Manu Dibango invented disco music with his phenomenal hit “Soul Makossa“, it was staggering. Besides the breakbeats, jazz and soul influences it was complete with saxophone, trumpet, drum kits, bass and lead guitars, piano/keyboards et al. that made it the big success it was within the New York music scene and later worldwide. Its central sensibility as was developed and perfected came from somewhere. Africa. Subsequently, Fela, Osibisa, Mariam Makeba, Hugh Masekela also working within the breakbeat, soul, funk, and jazz found instant fame and recognition as innovators in the world music scene. And “Afrobeat” credited to Fela soon became an international art form with a strong legitimacy of its own.

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Urhobo Blow (UB): A True Martial Art and Sport?

Urhobo Blow or UB, Ubi ejeh [meaning: service of punches] or Ohore r’ubi [meaning: battle of punches], is a traditional martial art developed or modified by the Urhobos for military purposes, initially, but has been witnessed in recent times as a ceremonial contest of strength by young males at annual or seasonal festivals. UB has its similarities with mainstream boxing, but the differences are quite divergent. Many ethnic groups along coastal West Africa have their idiosyncratic boxing and wrestling arts. Still, the main distinguishing feature of UB is that the knock-out punch hand is placed by fighters on their backs just above the buttocks during fights. UB is gradually becoming extinct due to lack of interest, funding, organisation, and exposure but may make a glorious comeback as a mixed martial art of international importance. UB was once and can still be a source of great community pride and make heroes. What makes UB unique and worthy of attention?

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Do The Urhobo People Need Saviours or Leaders?

 

At the moment the Urhobo nation is both essentially saviourless and leaderless, forget the ethnic bosses. Chiefs Mukoro Mowoe, Michael Ibru, David Ejoor, Great Ogboru, and James Ibori have all been arguably seen as saviours of the Urhobo nation. However, only the legacies of Mowoe and Ibru remain as genuine saviours unperturbed and Mowoe the singular unobstructed unifying leader of Western, Central and Eastern [Isoko] Urhobo. This is shocking considering that Mowoe, the foremost Urhobo nationalist and first president-general of the Urhobo Progress Union (UPU), died 70 years ago. This no disrespect to (Urhobo Progress Union) UPU and its host of influential leaders. The Urhobo people have produced many illustrious sons and daughters in many endeavours of life, some even rivalling in achievement the five named saviours. One may wonder what it is that distinguishes these five men as saviours to Urhobos but not necessarily leaders? Continue reading

The Urhobos Do Come Last – Mostly in Politics

 

 

As ridiculous as it may sound, if Anioma were to be granted a State today, the new capital of Delta State would be either Koko (Itsekiriland) or Bomadi (Ijawland) or even Oleh (Isokoland). However, some Urhobos are crying for a [reinstated] “voice” in federal politics at the 90-day suspension of Senator Ovie Omo-Agege (Delta: APC) from the upper house of the National Assembly but they cannot even handle themselves well politically within Delta State. Is this not the time for the Urhobo nation to look inwards and sort its cohesion challenges out?

Fejiro Oliver of Secret Reporters recently wrote about his utter disillusionment with the Urhobos (his full heritage) and his embrace of the Anioma people. He cited his betrayal by Senator Ovie Omo-Agege as the reason for his chosen ethnic preference. He was poached by Omo-Agege from NTA to be a staff writer with Urhobo Vanguard newspaper set up to assist Omo-Agege in his gubernatorial ambitions. When Fejiro was kidnapped in Niger State for investigative journalism in 2014, Omo-Agege and the entire Urhobo nation turned their backs on him giving mostly unbecoming excuses. Continue reading

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