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Grimot Nane Zine
ABOUT
ABOUT THE AUTHOR
SHORT STORIES
Witches in Surgery Ward
A Death In A Dream
My Name Follows Me
The Tooth of a Toad
Discovery With Grace 2
Discovery With Grace
Omissions According To Dara
The Near Death Experience of a Petite Man 2
The Near Death Experience of a Petite Man
Is My Name Okolo Too?
The Logic of One
One-Time Train Encounter
DAVY JONES
Doesis Locker Subsea
Subsea Retreat Extended
Yet Another Birthday With Cap’n Blood
Subsea Retreat for Captain Blood
Celebrating Cap’n Blood’s Birthday with Him
Sina Mafe Reconciles, Subsea
Nathaniel Oyelola Rejects the Locker
Paramole Returns for Birthday
Where Is Deji Akintilo?
MUSINGS
Origins of an Opintar
Are Leaders or Followers to Blame for Corruption?
In the Spirit of Gbogborima
Ise! Mutiny
Ayo Odebisi’s Embrace: Words of Henry Miller
I Will Not Mourn for Ayo Odebisi (Paramole)
Strange Diet Combo – Stella and Bread
Mufugbenous and Mufugbeneity Means?
In Search of the Mufugbens
Nigeria’s Big Thieves and Small Thieves
Native Politics: Thieves and Treasures
The Confessions of A Post-Impotent Guy
Religious Desire of Alcohol (Goscolene)
When My People Personalise the Truth
Good for the People, Good for Everybody
STRANGE?
Who Has Ever Seen The Nigerian Declaration of Independence?
Pauperising Professors: Pay Them!
Corrupt Manhood: Bleeding Nigeria
The Portrait of a Nigerian Druggie Youth
A Metaphor: Ending Corruption in Nigeria
Solo Mansion Communities in Nigeria
Sarcasm: Evidence of Genius
The Eighth Rudder Blade
Spiritual Infections, Physical Cures
The New Economy After Covid
The Privileged Nigerian Intellectual?
ARTSY
Okpan Arhibo: Traditional Disco Music
Morak Oguntade and the Art of Expression
Creed Taylor and the Origins of Smooth Jazz
The Lure of Collecting Jazz Albums
Jazz Music & the Influence of Yoruba Culture
A Song for Reassurance: Okpan Arhibo Verses
Urhobo Music Is 21st Century Ready
What Is Academic Jazz, Does It matter?
The Lion and The Jewel: Soyinka’s Most Enduring Work?
A Jazz Great I Met: Clifford Jarvis
VIDEOS
CONTACT
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ABOUT
ABOUT THE AUTHOR
SHORT STORIES
Witches in Surgery Ward
A Death In A Dream
My Name Follows Me
The Tooth of a Toad
Discovery With Grace 2
Discovery With Grace
Omissions According To Dara
The Near Death Experience of a Petite Man 2
The Near Death Experience of a Petite Man
Is My Name Okolo Too?
The Logic of One
One-Time Train Encounter
DAVY JONES
Doesis Locker Subsea
Subsea Retreat Extended
Yet Another Birthday With Cap’n Blood
Subsea Retreat for Captain Blood
Celebrating Cap’n Blood’s Birthday with Him
Sina Mafe Reconciles, Subsea
Nathaniel Oyelola Rejects the Locker
Paramole Returns for Birthday
Where Is Deji Akintilo?
MUSINGS
Origins of an Opintar
Are Leaders or Followers to Blame for Corruption?
In the Spirit of Gbogborima
Ise! Mutiny
Ayo Odebisi’s Embrace: Words of Henry Miller
I Will Not Mourn for Ayo Odebisi (Paramole)
Strange Diet Combo – Stella and Bread
Mufugbenous and Mufugbeneity Means?
In Search of the Mufugbens
Nigeria’s Big Thieves and Small Thieves
Native Politics: Thieves and Treasures
The Confessions of A Post-Impotent Guy
Religious Desire of Alcohol (Goscolene)
When My People Personalise the Truth
Good for the People, Good for Everybody
STRANGE?
Who Has Ever Seen The Nigerian Declaration of Independence?
Pauperising Professors: Pay Them!
Corrupt Manhood: Bleeding Nigeria
The Portrait of a Nigerian Druggie Youth
A Metaphor: Ending Corruption in Nigeria
Solo Mansion Communities in Nigeria
Sarcasm: Evidence of Genius
The Eighth Rudder Blade
Spiritual Infections, Physical Cures
The New Economy After Covid
The Privileged Nigerian Intellectual?
ARTSY
Okpan Arhibo: Traditional Disco Music
Morak Oguntade and the Art of Expression
Creed Taylor and the Origins of Smooth Jazz
The Lure of Collecting Jazz Albums
Jazz Music & the Influence of Yoruba Culture
A Song for Reassurance: Okpan Arhibo Verses
Urhobo Music Is 21st Century Ready
What Is Academic Jazz, Does It matter?
The Lion and The Jewel: Soyinka’s Most Enduring Work?
A Jazz Great I Met: Clifford Jarvis
VIDEOS
CONTACT
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